What do reading a book, smoking a cigarette, throwing confetti and voting in an election have in common? The answer, of course, is paper. Paper serves nearly every function of our lives. It is the technology with which we have made sense of the world. Yet the age of paper is ending. Ebooks now outsell their physical counterparts. Still, there are some uses of paper that seem un...(展开全部)

What do reading a book, smoking a cigarette, throwing confetti and voting in an election have in common? The answer, of course, is paper. Paper serves nearly every function of our lives. It is the technology with which we have made sense of the world. Yet the age of paper is ending. Ebooks now outsell their physical counterparts. Still, there are some uses of paper that seem un...(展开全部)

简介：人类终究被自己所谓的科学所造就灭顶之灾，此时的地球以是一片狼藉，人类该如何生存?在食物面前拋弃友情?或者亲情?。遵循末日下的规则还是打破规则?人心的善与恶充分显现在这末世中，人类应该如何走向光明?人类将在这里唱响自己的挽歌。。。。著@闪光弹Flashbomb

人都有兩種人格，面對他人的，和面對自己的。網路發明以後，人有了第三種人格－－從靈魂深處的渴望裡誕生出來的人格；也許人所冀求的並非被真正地了解，人甚至沒有想像中的那麼在乎了解自己，如果出於無解的孤獨使一個人想要被愛，那麼這是一個錯誤，從錯誤的渴望製造出來的鏡像，並因之被那樣了解，終究是幻影。 他原本可以完美地切割開來的兩個相反的自己，狂暴、傲慢、 乖僻和習於自我傷害的，以及善良、幽默、誠懇、溫柔得令人心痛的，因為一個女孩的出現－－即使他們從來沒有見過面－－毀滅了其中的界線。 他喜歡調情就是因為他的調情沒有半點虛偽，他的甜言蜜語是真的，他的冷漠也是真的。只有愛不是真的。 並非他不想給真的愛，其實女人想從他那裡要的他都是想給的，即使是愛，如果辦得到。

A true cornerstone of the Japanese underground scene of the 1960sSeiichi Hayashi produced "Red Colored Elegy" between 1970 and 1971, in the aftermath of a politically turbulent and culturally vibrant decade that promised but failed to deliver new possibilities. With a combination of sparse line work and visual codes borrowed from animation and film, the quiet, melancholy lives ...(展开全部)

TOILETPAPER Maurizio Cattelan's newest body of work comprises startling photographs done in collaboration with commercial photographer Pierpaolo Ferrari and published in Cattelan's limited edition magazine Toilet Paper. Colliding commercial photography with twisted narrative tableaux and surrealistic imagery these images mark a new phase in Cattelan's art production. This impor...(展开全部)

TOILETPAPER Maurizio Cattelan's newest body of work comprises startling photographs done in collaboration with commercial photographer Pierpaolo Ferrari and published in Cattelan's limited edition magazine Toilet Paper. Colliding commercial photography with twisted narrative tableaux and surrealistic imagery these images mark a new phase in Cattelan's art production. This impor...(展开全部)